Driving School - With Grade A Driving Instructors

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Driving School - With Grade A Driving Instructors

Highly qualified driver training establishment with:

Official Register of Driving Instructor Trainers (ORDIT)
DVSA Approved Fleet Registered Trainers
Grade 6 / Grade A (Highest Grade)
DVSA Cardington Special Test Grade A (Highest Grade)
Institute of Advanced Motorists (IAM) F1RST / MASTERS (Highest Grade)
The Royal Society for the Prevention of Accidents (RoSPA) GOLD / Diploma (Highest Qualification)
DIAmond Advanced / Special Test, and Fully Qualified DIAmond Advanced Instructors (Highest Qualification)
Driving Instructor Association (DIA) Diploma In Driving Instruction (Dip DI)
Level 4 Award in Preparing to Teach in Lifelong Learning Sector (PTLLS)

House Clearance

Terry Moran aka Tezzer57 posted a photo:

House Clearance

Balham, South London

Police hunt pervert who 'left woman shaken after groping her' at Balham station - Evening Standard


Evening Standard

Police hunt pervert who 'left woman shaken after groping her' at Balham station
Evening Standard
Police are hunting for a pervert accused of groping a woman as she entered Balham Tube station. The 25-year-old woman was walking into the station with her friend at 11.15am on Saturday June 3 when she was approached by a man. The suspect walked ...

9 reasons why Balham is the best place to live in London - Metro


Metro

9 reasons why Balham is the best place to live in London
Metro
Balham – or 'The Gateway to the South' if you're a Peter Sellers fan or aged 50+ – is the best place to live in London. It has the second lowest council tax in London, it is the last stop on the Northern Line where you can actually get a seat and it ...
Balham, LondonNOTTINGHAM CITY COUNCIL LOLS (blog)

all 2 news articles »

Previously on Game of Thrones

In just a few weeks, HBO will start to broadcast the seventh series of Game of Thrones. The show has a large cast, so I thought it would be useful to take a look at who’s still alive, where they are and what they are doing.

To start, I’ve looked at all of the forty-two actors who have appeared in the main credits for the show. Twelve of these characters had died before  the start of series six, so let’s get started with those.

(In case it’s not obvious, this article assumes you have seen all six previous series of Game of Thrones – so there will be spoilers for the first six series. I should also point out that I’m only considering the TV show here – I won’t be talking about the books at all.)

Viserys Targaryen

Viserys has the honour of being the first major character to be killed off in  the show. In episode six of the first series, he was killed by Khal Drogo by having molten gold poured over his head.

Robert Baratheon

In the very next episode, Robert died after being gored by a boar while on a hunt. It was his death that lead directly to the War of the Five Kings.

Eddard Stark

Ned Stark was beheaded at the order of King Joffery in the ninth episode of the first series. Things started to go very badly for the Starks from that point.

Jeor Mormont

The next major character death wasn’t until episode four of the third series. Jeor Mormont got involved in a fight with wildlings at Craster’s Keep and it didn’t end well for him.

Robb Stark, Catelyn Stark & Talisa Maegyr

The Red Wedding took place in episode nine of series three. The Freys and the Boltons plotted together and killed Robb Stark (along with his mother and his wife). That’s what you get for breaking a promise, I suppose.

Joffery Baratheon

Of all the major character deaths in the show, this probably got the biggest cheers (certainly in my house). Joffery has poisoned at the feast following his wedding to Marjory Tyrell. This was in series four episode two.

Ygritte

The wildlings were attacking Castle Black. Jon Snow knew nothing, but Olly took the shot and killed Ygritte in the ninth episode of series four.

Shae & Tywin Lannister

In the last episode of series four, Tyrion goes on a bit of a killing spree. Having found his lover, Shae, in his father’s bed, he strangles her and then shoots his father with a crossbow.

Stannis Baratheon

By any reasonable criteria, Stannis was Robert Baratheon’s true heir. But instead of being crowned king, he got involved in a bloody and pointless war and eventually got himself killed by Brienne of Tarth after his army failed to take Winterfell

 

So that was all the major character deaths up to the end of series five. Series six took it all up a notch.

Roose Bolton

Roose legitimised his bastard son, Ramsay back in series four. But that did stop Ramsay being very suspicious when his stepmother gave birth to another potential Bolton heir. Ramsay’s solution, in episode two, was to kill his father, his step-mother and his half-brother.

Ramsey Bolton

But Ramsay didn’t last long as Lord Bolton. When Jon Snow’s army, with help from the Lords of the Vale, took Winterfell in episode nine, Ramsay must have realised that his life expectancy was rather short. But it still rather took him by surprise when his wife, Sansa, fed him to his own hounds in revenge for the way he had treated her.

Marjory Tyrell & The High Sparrow

The number of casualties from the Red Wedding took some beating, but Cersei Lannister managed it in episode ten when she blew up the Sept of Baelor when it was full of people waiting for her trial. Pretty much anyone who was anyone in King’s Landing was there. And they all died.

Tommen Baratheon

One of the few named characters in King’s Landing who wasn’t blown up in the Sept of Baelor was King Tommen. But he was watching from his room and when he saw what had happened, he was so appalled that he killed himself by jumping out of the window.

Other Series Six Deaths

But it wasn’t just major characters who died in series six. Many other characters died too. This is a list of the other named characters who died during the series.

In episode one we have a clean-up of Dornish characters. Elleria and Tyene Sand kill Doran Martell along with his guard Areo Hotah and Obara and Nymeria Sand kill Doran’s son, Trystane .

In episode four, the wildling Osha attempts to kill Ramsay Bolton while seducing him. He sees through this and kills her instead.

In episode five, one of the saddest deaths so far was Hodor’s. He died holding a door so that Bran and Meera could escape. We also saw that the reason he could only say “Hodor” was that while this was going on in the present, Bran was watching him in the past and the shouted instructions to “hold the door” somehow leaked through time and affected his brain.

In episode eight, Lady the Crane (the actress who Arya has befriended) is killed by the Waif. Arya responds by kill the Waif.

In episode nine, Rickon Stark is killed by Ramsay Bolton just before the Battle of the Bastards. And the giant, Wun Wun, is killed breaking down the doors to Winterfell.

In episode ten,  Plenty more people die in the explosion at the Sept of Baelor. These include Mace Tyrell and his son, Loras, and Kevan Lannister with his son, Lancel. Qyburn has Pycelle killed and in the Twins, Arya kills Walder frey.

So, all in all, that’s quite a clearing of the board. Who’s still around? And what are they doing?

Daenerys Targaryen

After six series of shilly-shallying around on Essos, Daenerys has finally got a fleet together and is sailing towards Westeros to claim her crown. On the ship with her, we see Tyrion, Missandei and Varys. Theon Greyjoy (with his sister, Yara) are on another ship.

Jon Snow

Jon had an interesting series six. He came back from the dead, was reunited with his half-sister Sansa (the first time two members of the Stark family have been together since the Red Wedding),  gave up his command of the Night’s Watch and took back Winterfell from the Boltons. The series ends with him in Winterfell, being proclaimed King in the North. The other main characters we see at the proclamation are Sansa Stark, Davos Seaworth, Peter Baelish and Tormund Giantsbane.

Oh, and we’ve just found out that Jon isn’t Ned Stark’s bastard son at all. He’s the son of Ned’s sister, Lyanna, and Rhaegar Targaryen. He doesn’t know this yet.

Cersei Lannister

Having destroyed the Sept of Baelor and killed all of her rivals, Cersei has been crowned Queen of the Seven Kingdoms. Her brother Jamie (who returned, with Bronn, from the Siege of Riverrun in time to see the aftermath of the explosion in  the Sept) watches from the side of the room.

Samwell Tarly and Gilly

Sam and Gilly have arrived at the Citadel where Sam hopes to be trained as a Maester. He has been invited explore the library. Gilly (as a woman) had to wait outside.

Bran Stark

Bran Stark is just about to go back south through the wall with Meera Reed. He has become the “One-Eyed Raven” and is having lots of visions that explain the back-story of the show.

Arya Stark

Arya finished her training as a Faceless Man in the House of Black and White, but she turned her back on their mission and took back her identity. It appears she has gone back to working her way through her list as she was last seen killing Walder Frey at the Twins.

Others

Melisandre was exiled from Winterfell by Jon Snow. She left on a horse, but we don’t know where she is going.

Brienne of Tarth was last seen escaping from  the Siege of Riverrun on a boat with Podrick Payne.

Jorah Mormant was sent off by Daenerys to find a cure for his greyscale.

Elleria Sand was last seen plotting with Olenna Tyrell and Varys and agreeing to support Daenerys’ invasion of Westeros.

Daario Naharis was left behind in Meereen by Daenerys. He has be told to keep the peace in Slaver’s Bay.

Sandor Clegane is wandering around the Riverlands with the Brotherhood Without Banners.

Jaqen H’ghar was last seen in the House of Black and White.

And then there’s Gendry. Gendry was last seen back in series three when Davos helped him escape from Dragonstone by putting him on a boat to King’s Landing. Who knows if he got there of if we’ll ever see him again.

 

So that’s where we’ve got to. Now read on…

The post Previously on Game of Thrones appeared first on Davblog.

Blackbird Bakery 15-06-17

Utopist posted a photo:

Blackbird Bakery 15-06-17

A Gig Without Phones

On Wednesday, I went to a gig without phones for the first time since… well, since before everyone had a camera on their phone.

I wasn’t planning to go to a gig on Wednesday but on Tuesday afternoon I received an email from Songkick inviting me to a secret gig by Haim. I accepted the invitation and on Wednesday I got further details of the show. This second email also contained this information:

HAIM would like to invite you to enjoy a distraction free concert experience at their upcoming show at Islington Assembly Hall.

No cellphones, cameras or recording devices will be allowed at this show. Upon arrival, all phones and smart watches will be secured in Yondr pouches that will be unlocked at the end of the show. Guests maintain possession of their phones throughout the night, and if needed, may access their phones at designated Yondr unlocking stations in the lobby.

We appreciate your cooperation in creating a phone-free viewing experience for this intimate show.

That sounded interesting. I had heard of Yondr before, but I had never been to a gig where their system had been used. I didn’t even know that they were active in the UK.

But let’s start by addressing that first paragraph.

HAIM would like to invite you to enjoy a distraction free concert experience at their upcoming show at Islington Assembly Hall.

To put it bluntly, that statement is bollocks. Oh, sure, perhaps it’s true that bands would rather people were watching them rather than taking photos or telling their friends on Facebook how much they were enjoying the show. But let’s be honest here, no-one would have invested time and money developing a system to prevent people from using phones at gigs if it was just about encouraging a “distraction-free” environment.

No, this is about copyright protection. That’s where the money comes in.

It’s surely no coincidence that the first gig where I see the system in use is one where the band are trying out songs from their (as yet, unreleased) new album. It also happens to be a show that is being filmed for later release as part of a documentary about the band.  That’s why they don’t want us to record it.

The system itself works well enough. While we’re queuing outside, someone comes along and demonstrates it to us (annoyingly reiterating the bogus “distraction-free” excuse as she does it). It’s a neoprene (or something like it) pouch with a sealable top. She describes the sealing mechanism as “the strongest magnet available”. It looks to me something like the devices they use to tag clothes in shops – certainly, the release device looks identical to the mechanisms used to remove those tags.

As we enter the venue, our phones are taken from us and sealed in pouches (there are several different sizes to accommodate different phones) but the sealed pouch is returned to us to hold on to through the show. This is, I guess, the clever bit. You’d get a lot of kickback from people if you took their phones away from them. But letting them keep their phones, albeit rendered unusable, removes a lot of objections to the system.

If you find you really need access to your phone to during the show, you can go back to the foyer, where someone will open the pouch for you. But you’ll need to have the pouch re-sealed before returning to the venue.

At the end of the show, you file out past two desks that are set up with the release devices. There were maybe a dozen or so in total, and I didn’t queue for more than about a minute.

So, the system works and is pretty painless. I didn’t really enjoy the hour or so that I was waiting in the venue before the show started, without access to Twitter or Facebook, but I’m sure I’d get used to it. I don’t think that the distraction-free environment really added very much to the atmosphere, but I suspect the band (or, more likely, their management and record company) are very happy that no footage of the show will have leaked out.

I do wonder if it’s all necessary. I’m reminded of a couple of gigs I saw within a couple of weeks a few years ago. Bjork was recording her “Biophilia” show at Alexandra Palace. All around the venue were signs telling us not that filming and taking photos was banned. And there was a lot of security trying to enforce the rules. But hard rules like that just encourage people to try to break them – so the security guards were having to work really hard as a large proportion of the crowd tried to grab a quick photo.

On the other hand, a little later I saw David Byrne and St. Vincent at the Roundhouse. Before the show, there was an announcement over the PA (it might even have been by David Byrne saying that they understood people would want to take videos and photos and asking the audience to just please try not to get in the way of anyone around you. That, more friendly, approach seems more likely to succeed. I’ve also seen shows where the act announces that the next song is unreleased and asking the audience not to film it. If you have a nice audience, that works (and if you don’t have a nice audience, then you have a whole load of other problems to deal with).

All-in-all, I’m not sure. I didn’t find Yondr to be a huge inconvenience to me. But I’d rather not be part of an audience where I feel slightly untrusted. I don’t think it will stop me from going to a show, but I really hope it doesn’t become very common.

What do you think? Have you been to a Yondr-ed show? How was it?

The post A Gig Without Phones appeared first on Davblog.

​The Folding House in Balham will steal your heart - Yahoo Finance UK


Yahoo Finance UK

​The Folding House in Balham will steal your heart
Yahoo Finance UK
Our newest source of inspiration (also known as homify 360°) comes to us from the portfolio of London team Thomas & Spiers Architects, who were in charge of conjuring up a rear extension for a Balham townhouse. And just what did we discover inside the ...

A Balham family home full of contemporary touches - Yahoo Finance UK


Yahoo Finance UK

A Balham family home full of contemporary touches
Yahoo Finance UK
Today's homify 360° discovery focuses on a farm estate in London that flaunts an interior look that seems to tick all the required boxes: space, style, functionality, lighting, charms, you name it. And of course its commitment to colours and patterns ...

Curveball Restaurant - Foodepedia


Foodepedia

Curveball Restaurant
Foodepedia
Well it's all gone now, swept away by the tide of gentrification that engulfed Balham a few years back. Hildreth Street is now 90% the kind of place that middle-class millennials like to hang about in - a cool wine bar, a craft beer shop, cafes that ...

Melting

Terry Moran aka Tezzer57 posted a photo:

Melting

Balham, South London

Northern Monk at We Brought Beer

cwiss posted a photo:

Northern Monk at We Brought Beer

Meet the brewer event at We Brought Beer, Balham with Northern Monk's Vas

Top of the Pops and Me

In 2011, the BBC started repeating old episodes of Top of the Pops. Initially, they were showing one episode a week, as close as possible to thirty-five years after the original broadcast (starting with shows from 1976). More recently, they’ve been showing two episodes a week, so we’re currently in early 1983.

I’ve been watching them avidly since they started, but I’ve been even more interested in watching them over the last year or so – since the repeats hit October 1981. That’s because that’s when I moved to London to go to university and I started to watch fewer and fewer episodes as I, increasingly, had better ways to spend my Thursday evenings. So I’m seeing many of these broadcasts for the first time.

Over the summer of 1982 I pretty much stopped watching completely. I managed to get myself elected as Social Secretary at City University and many of my evenings were spent running gigs, discos and various other entertainments for the students.

I’ve written before about a couple of things that happened while I was Social Secretary (here’s me being threatened by the lead singer of Bad Manners and here I am booking Marillion at the start of their first major tour) but recent episodes of Top of the Pops have reminded me of a few other incidents.

There was the time that I was mildly censured by the London Student newspaper because I had booked Toto Coelo for a Christmas Party. Or the time I booked the Hee Bee Gee Bees (featuring Angus Deayton and Philip Pope) and ended up inviting Philip Pope back to a hall of residence party[1].

A few recent episodes of Top of the Pops have featured Blue Zoo singing “Cry Boy Cry”. I’m not sure I realised what a big hit that was. They played a few gigs at the university – including a “Blue Party Night” at a hall of residence where I painted my face blue, using dye that took days to get out. And I’m pretty sure that they were the band I cancelled when I was offered the Marillion date I mentioned above.

But a recent Top of the Pops reminded me of the biggest mistake I made while I was Social Secretary. I turned down the chance to book Culture Club.

To be fair to myself, no-one had heard of them when I was offered them. Well, no-one who wasn’t really in tune with the London music scene. Of course, you could say that someone who was running entertainment for a London university should really be in touch with the music scene. And I’d have no answer to that.

But when their agent called to offer me the gig, I hadn’t heard of them.

They were just about to start a tour and wanted somewhere to play a warm-up gig. Back then (and, I suppose, it’s still true now) bands used to like using student unions for warm-up gigs. Student unions were like private clubs – you couldn’t get in without a union card. Acts could get their performances right without making fools of themselves in front of the general public. That was how most student unions got most of their decent acts.

So Culture Club’s agent called me and offered me a warm-up gig for their first national tour. And I turned them down because I had never heard of them.

I thought that was the last I would hear of it. But I was wrong. A few months later, at the end of October 1982, they made their first appearance on Top of the Pops. I think this is it (warning, a few seconds of Jimmy Savile at the start of this clip).

Of course, these days we’re all used to seeing Boy George on the telly. But in 1982, this wasn’t the case. It was a sensation. He was all over the tabloid front pages the following day. People talked about it for weeks. Instantly, everyone knew who Culture Club were.

Oh, and the date that I had been offered for the warm-up gig – it was, of course, the day after this Top of the Pops. If I had taken the booking, it would have been a great night. I would have looked like someone who really had his finger on the pulse of the music scene.

Instead, I’m the man who turned down Culture Club.

[1] Although looking at the dates, it seems more likely that this was during the previous year – when I was just a member of the entertainments committee.

The post Top of the Pops and Me appeared first on Davblog.

2016 in Gigs

Time for my traditional round-up of the gigs I saw in the previous year.

According to Songkick, I saw 39 gigs in 2016. That’s the lowest number since 2012 (when I saw 36 – but had the excuse that my leg was in plaster for six weeks and I didn’t get out much).

Let’s start with the disappointments. I left two gigs at the interval. I had wanted to see Marc Almond for a long time, but when it finally happened it was all just too torch song for my tastes. I’m told the second half was much better.

Then there was Barclay James Harvest (or rather, John Lees’ Barclay James Harvest – the two surviving members of BJH both have their own touring version of the band). Sometimes going to see an act for the first time for thirty-five years isn’t a good idea. They just didn’t hold my interest the way they did back in the early 80s. When they took an early interval (after only half an hour on stage) I ducked out. I hope the second half was longer.

I didn’t leave, but I thought the Björk show at the Hammersmith Odeon was pretty disappointing too. I think I’m in a minority there though.

I only saw two bands twice – Sunflower Bean and the Magnetic North. And this might be the first year in living memory that I didn’t see any members of the Carthy clan playing.

I ticked off four more acts in my “acts from my youth that I never got round to seeing” list – Toyah, ELO, ABC and the Human League. I already have a ticket to see ABC again.

Usually, Amanda Palmer gets a free pass onto the top ten list, but in 2016 I only saw her as a special guest at a Jherek Bischoff show that didn’t quite make the cut.

Here, in chronological order, are the ten best gigs I saw in 2016.

  • Sunflower Bean – the first show (at the Dome) just trumps the second (at the Scala) proving once again that smaller venues are better. I reckon 2017 will be your last chance to see them in a smallish venue. That’s them in the photo.
  • SOAK – I’ve loved SOAK since I first saw her support Chvrches a couple of years ago. And live, she gets better and better.
  • ELO – Yes, incredibly cheesy, of course. But great fun. They have so many fabulous songs.
  • Orchestral Manoeuvres In The Dark – This was the night they played Architecture & Morality and Dazzle Ships. Not really their best-known material – but the fans loved it.
  • Laura Marling – You can’t go wrong seeing Laura Marling play whenever possible and this show was no exception. I already have a ticket to see her in a couple of months time when she launches her new album.
  • Belle and Sebastian – Only the second time I’ve seen them, but they are now a must-see. This show had them playing all of Tigermilk. I’m seeing them again in 2017.
  • The Orb – The Orb playing all of Adventures Beyond the Ultraworld. What’s not to like?
  • The Magnetic North – The show at RIBA was the second time I saw them in 2016. Their new album, Prospect of Skelmersdale is even better than their debut and I highly recommend seeing them live.
  • ABC – In the first half, they played random hits along with selections from The Lexicon of Love II. But in the second half, they played all of The Lexicon of Love. Everyone in the audience knew every lyric and sang along with gusto. It was sublime.
  • Christine and the Queens – What an awesome act. One of the best live performances I’ve seen for a very long time.

I’ve just deleted Marianne Faithful and The Staves from this list as it was too long. Other shows bubbling outside the top ten include Barenaked LadiesSt. Etienne and Hannah Peel. It’s mark of the quality of the shows I’ve seen this year that I haven’t found space for SavagesPixies or Billy Bragg.

And let’s spare a thought for acts we’ll never see performing again. I will alway regret never seeing Prince live and it’s over twenty years since I saw David Bowie play. But of all the talented musicians who died in 2016 I think it’s the two Leonard Cohen shows I saw (in 1993 and 2013) that I will treasure the most.

There are “year in gigs” posts for every year since 2011.

The post 2016 in Gigs appeared first on Davblog.

Listening to Leonard

Over the last week, I’ve re-listened to all of Leonard Cohen’s albums in chronological order. And, most importantly, I’ve rated them.

  1. recent_songsRecent Songs (1979)
    Sorry, but this is the one that I really didn’t get. In “Humbled in Love” it contains one of my favourite Leonard Cohen songs, but the rest of the collection really doesn’t do it for me. The received wisdom is that this was a major return to form following the rather dodgy Death of a Ladies’ Man – but I can’t see it. If I wanted to play someone an album that reinforces the stereotype of Cohen songs being depressing dirges, then this is the one I’d choose.
  2. leonardcohendearheatherDear Heather (2004)
    I’m generally a big fan of Cohen’s more recent albums, but this is an exception. I don’t actively dislike it in the way I do Recent Songs, but It’s very rare that I’ll choose to listen to it over any other Cohen album. There are some flashes of Cohen’s dark humour here, but you have to go looking quite hard in order to find them. And then there’s that version of “Tennesse Waltz”. I’m really not sure what to make of that.
  3. leonard_cohen_you_want_it_darkerYou Want it Darker (2016)
    This was released just a few weeks ago. And it’s only so far down the list because I haven’t listened to it enough to really know how much I like it. As with Bowie’s Blackstar, the fact that it was released so close to Cohen’s death means that it will always be linked to that tragic event and will inevitably be seen as his farewell to his fans. On listening to it this week (for what may have been only the third time) I enjoyed it. If I revisit this list in a few years, there’s a good chance that it will be higher.
  4. leonardcohenpopularproblemsPopular Problems (2014)
    Another album that I really haven’t given the attention that it deserves. To be honest, I’m surprised to find it came out two years ago. It seems like only a few months. I don’t know the album well enough to recognise particular songs, but while listening to it this week I was pleasantly surprised by how familiar it sounded even though I can’t have listened to it more than half a dozen times.
  5. leonardcohenoldideasOld Ideas (2012)
    It’s astonishing to me how productive Cohen became in his final years. There’s an eight year gap between his previous album (Dear Heather) and this one. But then he releases this, Popular Problems and You Want it Darker all in quick succession. It’s like he’s determined to get as much material as possible out there before the end. And like the other two albums in this loose “trilogy” I don’t know it particularly well. I suppose I should count myself lucky that there are still three more Leonard Cohen albums that I need to listen to a lot more.
  6. songs_from_a_roomSongs from a Room (1969)
    From Cohen’s last three albums, we leap back to the beginning of his career. This was his second album and it built on the success of Songs of Leonard Cohen. It opens with one of his best-loved songs, “Bird on the Wire”, and closes with the impressive run of “You Know Who I Am”, “Lady Midnight” and “You Know Who I Am”. First albums can be a fluke. But a follow-up of this quality marks you as a real talent.
  7. new_skin_for_the_old_ceremonyNew Skin for the Old Ceremony (1974)
    By 1974, Cohen is firing on all cylinders. Many of your favourite Leonard Cohen songs are on this album – “Chelsea Hotel #2”, “There is a War”, “A Singer Must Die”, “Who By Fire”. Only the closing “Leaving Greensleeves” strikes a slightly jarring note.
  8. leonardcohentennewsongsTen New Songs (2001)
    How do you follow an album like The Future? In Cohen’s case, the answer is you go away for nine years (five of which you spend in a zen monastery) before surprising your fans with a great new album. Songs like “In My Secret Life”, “A Thousand Kisses Deep” and “Here It Is” are as good as anything he ever recorded. This album is often overlooked, but is well worth investigating.
  9. various_positionsVarious Positions (1984)
    Another largely overlooked mid-career album. Or, rather, it would be if it wasn’t for one single track. This is the album that includes “Hallelujah”. I used to believe that it was impossible to record a bad version of “Hallelujah”. But that was when only talented people like John Cale and Jeff Buckley had discovered it. Now I’m not so sure. There are plenty of other great songs on this album too though. The first track, “Dance Me to the End of Love” was the usual opener to Cohen’s live shows.
  10. songs_of_love_and_hateSongs of Love and Hate (1971)
    Back to the early part of Cohen’s career. This was his third album. It didn’t move much from the successful formula of the previous two albums, but that’s no bad thing as that still makes for a great album. In “Famous Blue Raincoat”, this features my favourite Leonard Cohan song, but there are other great songs too – including “Dress Rehearsal Rag”, “Diamonds in the Mine” and “Joan of Arc”.
  11. death_of_a_ladies_manDeath of a Ladies’ Man (1977)
    This is likely to be controversial. Not everyone likes this album. Cohen himself is on record calling the recording a “catastrophe” and he only ever played one song from the album (“Memories”) in concert. But I like it. I think that “True Love Leaves No Traces” and “Paper Thin Hotel” are two of the loveliest songs that Cohen ever wrote. Ok, “Fingerprints” is a bit cheesy, but surely it’s impossible to listen to “Don’t Go Home With Your Hard-On” without smiling.
  12. songsofleonardcohenSongs of Leonard Cohen (1967)
    There are very few debut albums as good as this one. Even almost fifty years after it’s release, most of Cohen’s best-known songs are from this album – “Suzanne”, “Sisters of Mercy”, “So Long, Marianne”, “Hey, That’s No Way To Say Goodbye”. And the songs that aren’t so well-known are just as good – I’m particularly fond of “Stranger Song”.
  13. im_your_man_-_leonard_cohenI’m Your Man (1988)
    When I first discovered the joys of Leonard Cohen, this was his latest album. And it was completely different to the other examples of his work that I had come across (things like Songs of Leonard Cohen). This was certainly different, but it was just as good – perhaps even better. I immediately loved things like “First We Take Manhattan” and “Everybody Knows” but later on the less immediate songs also gripped me. “Tower of Song” is now on of my favourite Cohen songs.
  14. leonardcohenthefutureThe Future (1992)
    This was the first album that Cohen released whilst I was following his career; the first of his albums that I bought as soon as it was released. And it’s a nearly perfect album. It’s hard to choose a favourite song. The title track is great. “Democracy” and “Anthem” are both wonderful songs with lyrics that really resonate. And I will always love “Closing Time”. I would recommend this album to anyone. If you don’t love it then your musical taste needs serious recalibration.

This is all purely subjective of course. And if I made the list again in six months time, it could well be completely different. What do you think? Have I put you favourite Leonard Cohen album high enough?

The post Listening to Leonard appeared first on Davblog.

Christmas minus four days

Listening to Billie Holiday on Apple Music

Reading Bernard Cornwell, Samuel Richardson, Balzac, Dickens, Ferrante

Watching Force Awakens

Thinking about how when I retire I'm going to live in small spare flat with a small spare garden with a terrier and a couple of turtles and learn how to write poetry, paint pictures and play the trumpet

Christmas hols

Hooray I'm on holiday for two weeks!

Yesterday I made and put the marzipan on the Xmas cake.

Today I'm going to Sisters using my Cineworld Unlimited card.

Tomorrow we're going to see the Force Awakens

Other stuff I'm doing:
- trying to find O2 Floor tickets for Strictly 2016 tour (we love you, Jay McGuinness, the human equivalent of the Andrex puppy)
- trying to get day tickets for Dominic West in Dangerous Liaisons at the Donmar Warehouse
- trying to get returns for Nutcracker, Cavalleria Rusticana at Covent Garden and Jim Broadbent in A Christmas Carol
- going to look at the West End Xmas windows with Laura
- going to Go Ape in Battersea Park with Alice
- going to Hampton Court as I've just realised I've got Historic Royal Palaces membership
- read, read, read!
- listen to unlimited music on Apple Music
- make mince pies (Delia)
- make Chana masala (Guardian)
- update this blog daily

Happy days

Safeguarding: Southwark diocese

Tea and coffee turns out to be a kettle, some tea bags and a pint of milk.

Then there's a big kerfuffle about where you sign in: at the back, at reception, "I've signed in three times now"

Then someone wants to open a window, but the windows don't open

Oh God someone I know is here. I'll make like I haven't seen her

Three hours later: actually it was really informative, if hair-raising. Obviously some parishes are a lot more problematic than others

Things We Argue About

Driving down to Bristol for sister's wedding. We pass an estate agents window which has little model houses in the window like at Bekenscot.
Me: Laura, look at the cute little houses. Which one would you live in?
Laura: I can't really see them.
Me: I like the white one best, but the green one has bigger windows.
Laura: oh those houses. I thought you meant the houses they were advertising in the window. I was wondering how you could possibly see them.
Chris: I thought you meant the ones in the photos.
Alice: so did I.
Me: how could I possibly have seen the ones in the photographs? What, have I suddenly developed super eyesight?
Chris: that's what I thought. So I thought you must be talking just for the sake of saying something.
Me: when do I ever do that?
Chris: exactly. So I thought you must have gone mad.
Me: so you'd rather ignore everything you know about me and assume that I'd gone mad, rather than entertain the possibility that I might have been talking about the cute little model houses, which only that estate agent has, rather than the photos of houses, which every estate agent has?
Chris: I didn't think they were cute.
Me: surely it's more plausible that I meant the model houses but that what I think is cute is different from what you think is cute, rather than that I'd suddenly developed super eyesight and also lost my mind?
Chris: your position is indefensible
Me: my position is defensible. I am defending it, unfortunately I appear to be dealing with a bunch of dopes
Laura: we can't all be dopes
Me: well, apparently you can
Laura: the families in cars in adverts are never like this

Fall Out Boy

I'm in the grip of several slow-burning obsessions at the moment. Fall Out Boy, for one, I'm sort of crushing on them collectively. What a difference a live gig makes! It's hard to say why as most of the time you had to watch them on the big screens (and why is that different from watching them on YouTube?), but that is the mystery of human presence. Being there, in the same air as people, makes a difference. Why? Maybe they seem more real. Maybe you see everything, not just what the cameraman directs you to see, which helps to fill in the reality of someone.

Then I've started my new Elena Ferrante book. I wonder if a Lila really existed, or if the author is simply applying herself into two and writing about both halves. I wish I could get the girls to read it: it's such an eye-opening validating piece of work, especially for women. Some woman in the paper was worrying that it wasn’t really literature. Why? Why not? What is
unliterary about it? The fact that it’s enjoyable? The fact that it acts as
though what two young girls in Naples in mid-twentieth century thought or
felt is important? I don’t see how you could find a book more serious intelligent and authentic than these novels are turning out to be.

On a more trivial note, I've been reading about Kate Moss’ new squeeze in the Telegraph: Nikolai von Bismarck, who from a quick piece of deductive work via Wikipedia, must be the second nephew of Gottfried von Bismarck (the first cousin of Nikolai’s father Leopold, who was the younger brother of Gottfried’s father, the
Prince von Bismarck). I knew Gottfried from Oxford when we were both in a
Ionesco play, The Lesson, being directed by an acquaintance from New College. I didn’t really know Gottfried, what with him being such a posho, but he seemed perfectly nice. He moved with the Olivia Channon set and died himself a few years ago, essentially from his lifestyle (drugs, gay orgies etc). All rather sad: gilded youth! This was all post the ITV Brideshead craze. Little did I think, as I was living through it, that people would be looking back at the eighties in a haze of nostalgia.

At lunch I went out and bought some Vichy Aqualia Thermal Serum because it
was on a Guardian list of best skincare products and I’m running out of
face cream. I don’t even know how to use it! It was £5 off. I wonder if it
will have any detectible effect on my skin, that wouldn’t be just as well
achieved with a £5 pot of generic moisturiser. Anyway, when I went to pay,
instead of the self-service checkout asking whether I wanted to buy a bag,
there simply were no bags. There was only a little Boots man wandering
around with a handful of bags. I told him I wanted to buy one, but I had no
change. He shoved a little paper bag into my hand and whispered, “Go, go,
run away!” which I promptly did. Hilarious.

Shopping on a real tight budget (again).

Went for a walk earlier because like Old Mother Hubbard my cupboard was bare .Didnt have a lot of cash so first stop was the fruit/veg market as they were packing up looked through a few boxes and ended up with about 40 apples.a pineapple,6 nice carrots,garlic and all for the bargain price of £0.00.Next stop a Health food place that every night puts out a few bags of goodies just reaching the sell by date ,its all perfectly good food.the haul was 200g of Cornish Camembert,125g of goats cheese,18 Glenilen Farm probiotic yoghurts 160g jars I kept 6 and redistributed the others to homeless people on my journey home.I called at Sainsburys and was able to splash out on Normandy butter ,a sunflower+honey bloomer loaf,Youngs fish ,a £4 ham and pineapple pizza so its good eating today.After washing/scrubbing the free fruit/veg it was juiced and produced 4 pints of juice better and fresher than the stuff bought in the shops.It still amazes and pisses me off the amount of good food throw away and destined for landfills while so many people are havuing a hard time and starving.Just grateful Im not one of them.

SELLING BIG ISSUES ,a honest profession.

   Its my opinion that selling Big Issues is a honest honarable way to make a living.Ive been doing it on and off from the very begining, sure Im critical of the way its run but the benefits far outweigh the negative aspects.So the wages are not the best in the world but your rewards come in the form of the great orduinary people that you meet.Im not the sort that pushes it in peoples faces,I like to think that people who buy from me do so because they want to not because Ive put pressure on them or made them feel guilty in any way.In the past year Ive had a professional fundraising org headhunting me,telling me I could make 4 times as much for less effort.Truth is if I was to shake a bucket claiming the money was for starving third world children well thats where it would have to go,not in my pocket.Im no angel and while selling Big Issues if anyone asks I tell them the money is for me and if asked I tell them my housing status.Like I say Im honest like all the other venders, we dont make a living from other peoples misery - only our own.My advice before parting with money to a charity think about how much reaches those that need it.

If hostel systems work,why do so many end up back on the streets.

My apologies for ranting about time spent in the  hostel system but in my opinion it was 6yrs of my life wasted.6 years where I had to have a keywork session with a moron every week and awnser the same questions over and over again.FFS how long does it take to asses someone and see if they are suitable for housing.Im of the opinion its a deliberate conspiracy to prove to society how essential they are in the rehabilitation of poor unfortunates like myself.Only thing is Ive never thought of  myself as unfortunate no matter what apart from the times I had to sit and listen to all their fucking crap.I put up with it because I wanted a permanent place of my own without them having acsess to my room or supported housing unit so the nosey fuckers could snoop while I was out.I often used toleave little notes for them to find but only offensive ones.They couldnt say anything about this as they shouldn have been snooping .Its a fact if I had a key to their houses and did to them what they do to their residents I would probably be branded a pervert and locked up for a long time.In a nutshell hostels dont work as most residents end up back on the streets or are kicked out for raising hell about their draconian rules.

The Drugworker

Not all of the people working for homeless orgs are money grabbing careerists,or worse stupid.sOME ARE ANGELS i DONT HAVE TO NAME THEM THEY KNOW WHO THEY ARE its a tradgedy that they are more often than not in a surbordinate position and stick with their job to genuinly help.
 I know a girl ,I say girl even though shes in her mid 40s now,she was a teenager when I met her begging on the Hungerford Bridge in the 80s.For over 20yrs she was a hard core heroin user,she knows everey trick in the book that drug users follow,maybe she even wrote it.She got of the drugs sorted her life out got a job with an org that deals with rough sleeping drug users,shes very familiar with the problems and bigotry and difficulty these people face when sorting their lives out or trying.Happy ending - no way,all she gets todo is the donkey work she feels and justibly that she is more qualified than her co-workers,she thinks she has been hired as the token ex-junkie.What a criminal waste of what could be that orgs most valuable asset.Is this her 2nd chance at life,and who could blame her if she went home everynight and stuck a needle in her arm.

  So it been established that rough sleepers have a pretty rough time,one night a outreach worker eventually finds them hidden in some out of the way place,they say I can get you a hostel place,meet me tomorrow.Let me tell you it feels like finding the pot of gold at the end of the rainbow.So you meet you go through all the procedures you think peace,safety ,escape from alcholuism ,petty crime,drug addiction  and all its related baggage,you feel exstatic but that soon wears off when you are in your cell like room ,it begins to dawn on you that what you are holding in your arms like a new born baby is not as you envisaged a pot of gold but in reality its a bucket of shit.You are so run down tired you dont care anymore so you sleep.You awake to the sound of footsteps in the coridor,keys getting pushed intolocks door slamming obcenities being shouted,youre half asleep thinking shit slop out already,you rush to get dressed looking for the bucket there is none.The door opens you have one leg in your trousers a voice booms room check ,it then dawns on you again you are not in the Holiday Inn ,but a hostel ,you dont yet know youve been sentenced to 6yrs.

Winky Face!

I'm just going to come right out and say it.  I am not a huge fan of emoticons.  I do not use a happy face to indicate happiness, or a sad face to indicate sadness.  I don't even use LOL when texting or IMing, as I prefer a simple "ha!" to get the idea of laughter accross.

However, I will acknowledge that I am in the minority.  If there was a battle, I lost.  Emoticons have won, and I accept their place in the world.  I will even admit that they can make the tone of an email or text or whatever clear if the words themselves don't convey the proper meaning.  I don't use them myself, but if someone sends me a frowny face or a confused face, I understand their meaning and move on with my life.

Except!

The winky face.  If there is one emoticon I cannot stand, it is the winky face.  You know the one I mean:

;)

The intended meaning, as far as I'm aware, is to convey cheekiness or sassiness.  And it drives me up the freaking wall.  Because here is the thing.  In real life, people smile at each other, or frown, or have big smiles, or stick out their tongues (which, ugh), or look surprised.  All of which have a corresponding emoticon to convey these expressions.

Do you know what people don't do?  Wink at each other.  Constantly wink at each other.  And if they do, they should stop, because I'm sure they'll just develop a twitch of some kind.

There only two contexts I can think of where winking is appropriate in real life.

One:  If you are playing a joke on someone and want to let someone they are with in on the joke subtly.  A wink at that person while continuing the joking will get that message across, and then hopefully they'll get in on the joke and you'll all have some fun times.

Two:  A pickup wink, done in jest.  Possibly accompanied by finger guns.  This works in almost any circumstance in life, and is generally delightful.

That's it!  Those are the only two situations in which you should be winking!  Or maybe if you're trying to get a contact back in place.  But blinking would also accomplish this, so let's forget that one.

Two!

So, when I see people (and god help me, so many people do this) use the winky face after a comment they mean to be funny, all I can think is STOP STOP STOP!  If you need to use an emoticon (and I really must stress that no one needs to use an emoticon) in that case, will the smiley face not do?  What is wrong with the good old smiley face?  Are you too good for the smiley face??

Your cheekiness comes across as far less cheeky if you have to tell me you're being cheeky!  (Also, the work cheeky looks funny when you write it too many times. Cheeky.) Would you really wink in real life after you said whatever you just said?  I thought not. It's just dumb.  Stop it.

However, if someone develops an emoticon for the double finger guns, I will have to bow to their genius and gladly allow all winky face/double finger gun emoticon combos, as they will be hilarious.

Mug of the Day - 3 August


Cuba!

Mug of the Day - 2 August


Bruges! It's my most multi-lingual mug, as it also says "Bruges" and "Brujas".

Mug of the Day - 29 July


The kings and queens of Scotland.  Educational!

Mug of the Day - 28 July


Barcelona is one of my favourite mugs. I think it's so pretty.